Curated Exhibition // Summer 2018
During the last decade we feel technology should be everywhere and nowhere at the same time, perfectly integrated into our everyday experience, or our homes, without intruding. The future art audience has technology in their everyday life; through technology they experience the world around them, and this is what connects them to
The Niio Featured Exhibition is dedicated to the moving image and public space, aiming to present curated screening programs to a wider audience. It is based on the idea of mediating works from an extended list of contemporary video artists, through new digital exhibition formats and cloud-based platforms.
Titled like the first series of landscapes prints produced in Holland in the Seventeenth century, Pleasant Places consists of a series
of digital paintings exploring the boundary between representation and abstraction.
Inspired by the work of Vincent Van Gogh, Quayola has returned to the same countryside of Provence 125 years later.
The landscapes serve as a point of departure – a pretext to shape an inner motion and vision.
Through the misuse of image-analysis and manipulation algorithms, Pleasant Places challenges the photographic image and proposes alternative modes of vision and synthesis. Familiar landscapes – filmed in Ultra-High-Definition – is shown with meticulous attention to details and to the anthropomorphic shapes of the trees. Then, through the use of custom-software, the detailed texture of the foliage is reduced to two-dimensional masses of volume veering towards abstraction. As the outlines of trees and shrubs get blurred, nature becomes dense and almost impenetrable. The resulting compositions remain, suggestively, suspended between representation and abstraction, between the depth of the natural scenery and the surface of the screen.
In contrast to this vision, raw data-visualisations of colour and motion information follow in sequence the contemplative digital paintings to remind us what really lies beneath the surface.
The Best Day
The Best Day（最好的一天） is a video artwork in the series “The Determination of Life” . The scene in this work was shot in the mountains of Wu-Lai（烏來）. The four artists firstly recorded a concatenation of their motions in this natural environment with 360 degree high-speed photography, and then edited the images into a video without the outset and the coda. By virtue of the concept of circle/circulation, the content of this video not only demonstrated a harmonious relationship between the nature and humanity but also emanated an aura of oriental philosophy.
Ori Gersht's photos and videos startle, seduce, and sometimes explode. Gersht's painterly image, "Pomegranate," almost looks like the 17th century original by Juan Sánchez Cotán that it is based on. Almost, until the image starts to move. Many of Gersht's works incorporate traces of his childhood in Tel Aviv with their explosive climaxes that acknowledge the violence of the modern world. In Hebrew, the word for "pomegranate" is the same as "grenade."
Ritual, struggle, faith, and politics take center stage in the work of artist Ronen Sharabani (Israeli, born 1974), not for didactic purposes but as the gateway for transformational experiences. Profoundly influenced by his experiences in his home country of Israel, Sharabani’s lms and videos blend movement, performance, architecture, and light into intensely visual and sensory projects.
Jardins d’Été #1
An homage to the the tradition of French Impressionism and the late works of Claude Monet, "Jardins d'Été" investigates the ways in which nature is observed, studied, and synthesized with and through technology. The gardens at the Château de Chaumont-sur-Loire serve as a point of departure, as Quayola employs an extensive technological apparatus to represent and abstract floral landscapes. Filmed at night with high winds, precise movement is transformed into gestural motion, composition, and color schemes, emulating impressionistic brushstrokes.
In Cézanne Unfixed, the relationship between the painting and the museum in the installation photograph is blurred. In his time, Cézanne was influenced by developments in science to challenge the ways of modelling space and volume, and this artwork continues that work. The brushstrokes of Cézanne break from their canvases to inhabit the spatial dimensions of the museum while the architecture flattens into the surface of the image plane. While old barriers are fractured, new barriers are created in the medium of this artwork, the digital video file.
The art video Critical Transitions, was inspired by discussions with ecologist, scientist and musician Marten Scheffer, who studies the nature of change.
Critical Transitions is an artistic visualisation of processes that are constantly going on around us. A system gradually builds up, and eventually it sometimes reach a tipping point where it suddenly changes. After that, it might stabilise in a new system. In the video there are three sequences, each about 10 minutes in length, inspired by such processes. The video can be viewed as an abstract painting in motion or as a landscape in flux.
The climate, forests, coral reefs, financial markets and even our minds occasionally reach a tipping point where they go through a radical transformation. Foreseeing such critical transitions or even noticing that they are unfolding is challenging as they are embedded in the omnipresent permanent flow of change.
Dazzled by myriads of such minimal motions, how can we see that they sometimes erupt into transforming change? Immersed in chaotic and turbulent transformation, how can we see where we are going? Science seeks universal early warning signals for critical transitions, but we often only realise the world is not the same anymore in hindsight.
Curated by Curatorial Program
Quayola employs technology as a lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Constructing immersive installations, often at historically significant architectural sites, he engages with and reimagines canonical imagery through contemporary technology. Hellenistic sculpture, Old Master painting, and Baroque architecture are some of the historical aesthetics that serve as a point of departure for Quayola’s abstract compositions. His varied practice, all deriving from custom computer software, also includes audiovisual performance, video, sculpture, and works on paper.
Xindian Boys consists of four artists par excellence, namely Tsong Pu, Chen Shun-Chu, Wu Tung-Lung, and Su Hui-Yu. They respectively belong to three different generations and adopt different creative media such as painting, installation, photography, and video. It is a rare example of teamwork-oriented artist group in Taiwan over the recent years. In November 2015, the world-renowned exhibition Paris Photo invited them to exhibit The Determination of Life, their first collaborative series completed in 2012. The Best Day is a video artwork in this series. The scene in this work was shot in the mountains of Wu-Lai. The four artists firstly recorded a concatenation of their motions in this natural environment with 360 degree high-speed photography, and then edited the images into a video without the outset and the coda. By virtue of the concept of circle/circulation, the content of this video not only demonstrated a harmonious relationship between the nature and humanity but also emanated an aura of oriental philosophy.
Ori Gersht was born in Israel in 1967, but has lived in London for over 20 years. Throughout his career his work has been concerned with the relationships between history, memory and landscape. He often adopts a poetic, metaphorical approach to explore the difficulties of visually representing conflict and violent events or histories. Gersht approaches this challenge not simply through his choice of imagery, but by pushing the technical limitations of photography, questioning its claim to truth.
Ronen Sharabani lives and works in Israel. Sharabani studied drawing painting and sculpting at NYSS in New York , has attended the International School of Art in Italy.
Sharabani was awarded the Cannes Gold Lion Prize, for creative commercial; The Buckingham First Prize for the Expression of Music through Art; The Hohenberg Scholarship and the Golden Feather, for editing.
Joe Hamilton (b. 1982 Tasmania) makes use of technology and found material to create intricate and complex compositions online, offline and in-between. His recent work questions our established notions of the natural environment within a society that is becoming increasingly networked. Hamilton holds a BFA from the University of Tasmania and an MA from RMIT in Melbourne. His work has been included in recent group exhibitions at The Moving Museum Istanbul, The Austrian Film Museum, Kunsthalle Düsseldorf and The New Museum in New York.
Norwegian artist Tone Bjordam makes projects related to nature, perception and ecology. Bjordam works with video, animation films, nature photography, abstract and nature-inspired paintings, intricate, detailed drawings and sculpture installations. She has a Masters Degree in Fine Arts from The Art Academy in Oslo, Norway, and exhibits artwork internationally. Bjordam’s art, which takes the form of videos, animation films, nature photography, abstract paintings, intricate drawings, and geometric sculptures–goes where science alone cannot. Her art has the unique power to engage viewers empathically and aesthetically in a way that often simulates meaningful experiences with the natural world.